Carroll's 55th Street
Carroll's 55th Street
With Kevin out of town celebrating his parent's 50th wedding anniversary, we called upon Bill Sloan to fill his shoes. Bill was totally expected and I was looking forward to playing with him, keeping the SUNY Albany spirit alive. While I knew Bill was playing bass, Carroll's evidently didn't know, so I got Jules to change out Kevin's normal monster bass rig for a standard Hatke amp and cab setup. I'm sure Bill appreciated the switch, although Jules was offering to get the necessary splitter box Bill would have needed. Bill was set for the night and rolled with the flow, thinking he was loud, but to us a respite from the pounding we usually get from Kevin's rig.
While we had no guest spectators for the night, the band's lineup was filled with them. I was the there first and then in walks Mark. He was a friend of Rich's, as well as other's, who was a surprise sit-in guitarist for the night. He plays with Rich and Coffee-Boy in Brooklyn and was making his Deadstein debut.
Trying to make it easy, open and jammy for the Bill and Mark combo at the beginning of the night I decided to open with an 18-minute Eyes of the World, reminiscent of the 6-17-91 Giant's Stadium show. From that we did the whole 1974 Eyes of the World jam at the end which left us in Dm leading me to a bold decision to play Morning Dew when I noticed Donna had entered the studio by the end of the Eyes. Donna's good a Morning Dew and got her into the flow right away. A good decision and the intro to the night was a great springboard for things to come.
Donna was making her return after her week off eager just be like one of the boys. Alan got there earlier than expected and was raring to go. Lee was psyched as always as a night of Deadstein is better than virtually anything else. Then, Scott and Rich rolled in with news that Terez was going to be our second big, or should I say "Mini", surprise of the night.
All of this was surprising good news, too bad Kevy was there to join in on the fun. We got going pretty much on time and from the first few moment I at least felt good. I think the band had a nice aura to it. We got Alan from Carroll's to tweak the board a bit after Donna's first song and after that, the PA sounded better than usual for the rest of the night. That helped us as Terez arrived a little later, and for a Deadstein first, we had a true set of Jerryettes to sing with us. How exciting is that?
With our Jerryettes in tow, we focused on a lot of Garcia Band music , to take advantage of the situation. Terez and Donna worked through singing backup harmonies for us and at times was inspiring to think we had a Jerryette thing going on. Some was good like the Harder They Come and I think Rich choked on the Night They Drove 'ol Dixie Down as he was a tad anxious.
Eventually, Deadstein's sad reality set in when we had indecision about the time signature in Comes A Time. Though we started the song with trepidation and a lack of confidence, it actually felt pretty good in the end. Tot bad due to Deadstein's own internal issues we kind of robbed Donna from enjoying singing Comes a Time.
Mini T's time ended too quickly at 11pm, but it was great while it lasted. I had a lot of fun trying to conduct the Jerryettes and it was lots of fun playing with this lineup. I really hope we have additional opportunities to do it again. With Donna singing solo we did play a nice New Speedway Boogie which took advantage of our two harmonica players (Mark and Alan) whose harp solos sandwiched by guitar lead. This is probably the only song with two harmonica solos in it and I guess we took advantage of it.
We played the Good Lovin through midnight and everyone yet clambering for more. That's how you know you like a night of music. Time to try it again and thanks to everyone involved.